To pay tribute to the sexiest and coolest denizens of the night, we’ve decided to compile together a list of some of our favourite films to feature the fanged devils.

GATA took the chance to chat with the artist after her recent collaboration with Paris-based fashion label Bleeding Aces, touching on her love of soundtracks, new music projects and her favourite video games of all time.

In the spirit of Halloween here at GATA, we have compiled a list of some of our favourite clown-themed stories—a mesmerising collection of films that transports viewers from the hillbilly havens of America’s Deep South to extraterrestrial jesters who would rather eat your heart than show you a magic trick.

If you think you’ve seen every horror trope, think again. These Korean webtoons lure you in with familiar setups: sweet romance, slice-of-life calm, even cute art styles, only to twist them into something nightmarish.

Today’s editorial from GATA is a camp and colourful homage to sci-fi cinema and kitsch Americana: “Honey! I’m Home!”

GATA caught up with the Argentine artist right before her return home to Buenos Aires, to talk about her nine lives, digital censorship, slut power, and the radical act of staying true to yourself in a world desperate to box you in.

Hard-boiled detectives pining over the loss of love, rain-drenched streets reflecting the corruption of a darkened city, the dulcet tones of a distant jazz soundtrack; there are very few genres in the history of film that have captured the desolate and existential state of existence like film noir.

With their latest collection, LA-based streetwear brand Revenge has taken note and tapped into a long-forgotten aspect of Japanese horror culture: the video game advertisement.

When does art become depravity? That is the fine line that the directors in today’s list constantly walk.

Berlin-based ritual artist, scent designer, and maker of fetish objects, the Mean Goddess speaks on her alter ego, the charged energy of her materials, and the truths she refuses to look away from.

When Donna Haraway wrote her Cyborg Manifesto in 1985, the Second Wave of Feminism has already proclaimed that the personal is political.

Echo Chamber is the latest visual experiment in sex, self-image and spectacle from the deviant minds of avant-garde pornographers, Four Chambers—a creative pornography project…

Elena Velez is building a new kind of dystopia—raw, unvarnished, and unapologetically personal.

Chronic Illness gathers those, who take their art to the extreme, who do not fit into the frames of what’s ‘acceptable’…

Forget the frame. Forget the stage. Forget everything you think performance art should be like.